Passos Em Volta: história da Performance no contexto das Artes
PORTA33 — 05.05.2011 — 08.05.2011
Bibliografia recomendada:
BANES, Sally (ed.) (1993). Democracy’s Body, Judson Dance Theatre, 1962 –
1964. Duke University Press
BANES, Sally (ed.) (2003). Reinventing Dance in the 1960s. The University of
Wisconson Press
BROADHURST, Susan (1999). Liminal Acts – A Critical Overview of Contemporary
Performance and Theory. Cassel
BROWN, Trisha (2008). Trisha Brown: So That The Audience Does Not Know Whether I Have
Stopped Dancing.
Walker Art Center
CELANT, Germano (ed.)(1999). Merce Cunningham. Milano: Edizione Charta
FEHER, Michel (ed.) (1989). Fragments for a History of the Human Body. The MIT
Press
GOLDBERG, Roselee (2007). A Arte da Performance – Do Futurismo ao Presente. Orfeu
Negro
GOLDBERG, Roselee (1988). Performance Art – From Futurism to the Present. Thames
and Hudson
ILES, Chrissie (2001). Into the Light, The Projected Image in American Art
1964-1977. Whitney Museum of American Art
JONES, Bill T. & GILLESPIE, Peggy, (1995). Last Night on Earth. New York:
Pantheon Books
LEPECKI, André (ed.). Of the Presence of the Body – Essays on Dance and Perfomance
Theory. Wesleyan
MOLINA, Juan José Gómez Molina (coord.) (2007). La Representación de la
Representación. Madrid: Cátedra
MONTANO, Linda (ed.). Performance Artists Talking in the Eighties. University of
California Press
RAINER, Yvonne (2006). Feelings Are Facts, a Life. The MIT Press
RAINER, Yvonne (1989). The Films of Yvonne Rainer. Indiana University Press
RANCIÈRE, Jacques (2010). O Espectador Emancipado. Orfeu Negro
ROSENTHAL, Stephanie, (ed.). Move. Choreographing You. Hayward Publishing
SCHIMMEL, Paul, (ed.) (1998). Out of Actions – between performance and the object,
1949-1979. Thames & Hudson
STAFFORD, Barbara (1997). Body Criticism, Imaging the Unseen in Enlightenment Art and
Medicine. The MIT Press
VERGINE, Lea (2000). Body Art and Performance-The Body as Language. Skira
WILHELM, Richard (1995). O Pequeno I Ching. São Paulo: Editora Pensamento
(a propósito de Cunningham e sua concepção de dança e método coreográfico)