MARIANA BRANDÃO
Passos Em Volta: história da Performance no contexto das Artes
PORTA33 — 05.05.2011 — 08.05.2011

Tradição versus vanguarda 1ª parte

Tradição versus vanguarda 2ª parte

Tradição versus vanguarda 3ª parte

Tradição versus vanguarda 4ª parte

Tradição versus vanguarda 5ª parte

Tradição versus vanguarda 6ª parte

Tradição versus vanguarda 7ª parte

Bibliografia recomendada:

BANES, Sally (ed.) (1993). Democracy’s Body, Judson Dance Theatre, 1962 – 1964. Duke University Press
BANES, Sally (ed.) (2003). Reinventing Dance in the 1960s. The University of Wisconson Press
BROADHURST, Susan (1999). Liminal Acts – A Critical Overview of Contemporary Performance and Theory. Cassel
BROWN, Trisha (2008). Trisha Brown: So That The Audience Does Not Know Whether I Have Stopped Dancing.
Walker Art Center
CELANT, Germano (ed.)(1999). Merce Cunningham. Milano: Edizione Charta
FEHER, Michel (ed.) (1989). Fragments for a History of the Human Body. The MIT Press
GOLDBERG, Roselee (2007). A Arte da Performance – Do Futurismo ao Presente. Orfeu Negro
GOLDBERG, Roselee (1988). Performance Art – From Futurism to the Present. Thames and Hudson
ILES, Chrissie (2001). Into the Light, The Projected Image in American Art 1964-1977. Whitney Museum of American Art
JONES, Bill T. & GILLESPIE, Peggy, (1995). Last Night on Earth. New York: Pantheon Books
LEPECKI, André (ed.). Of the Presence of the Body – Essays on Dance and Perfomance Theory. Wesleyan
MOLINA, Juan José Gómez Molina (coord.) (2007). La Representación de la Representación. Madrid: Cátedra
MONTANO, Linda (ed.). Performance Artists Talking in the Eighties. University of California Press
RAINER, Yvonne (2006). Feelings Are Facts, a Life. The MIT Press
RAINER, Yvonne (1989). The Films of Yvonne Rainer. Indiana University Press
RANCIÈRE, Jacques (2010). O Espectador Emancipado. Orfeu Negro
ROSENTHAL, Stephanie, (ed.). Move. Choreographing You. Hayward Publishing
SCHIMMEL, Paul, (ed.) (1998). Out of Actions – between performance and the object, 1949-1979. Thames & Hudson
STAFFORD, Barbara (1997). Body Criticism, Imaging the Unseen in Enlightenment Art and Medicine. The MIT Press
VERGINE, Lea (2000). Body Art and Performance-The Body as Language. Skira
WILHELM, Richard (1995). O Pequeno I Ching. São Paulo: Editora Pensamento (a propósito de Cunningham e sua concepção de dança e método coreográfico)